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A

MAZE

IN

ZAZAZA ENTER AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

XXX XXX XXX

 

WORK DAYS OF GOD

Herbert W Morris D.D.circa 1883

Page 22

"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
 -
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN

SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

NUMBER 9

The Search for the Sigma Code

Cecil Balmond 1998

Page 5

"One...two...three....My eye went over the figures. Suddenly I saw something. There were hidden patterns; the old man's story about secret num-bers came back to me and I became curious. I started to look into these simple ideas and the more I searched the more fascinated I became. Something was indeed going on underneath the surface of arithmetic and what appeared as a unique calculation to the outside

/ Page 6 /

world was something quite different when viewed from below. Looked at another way, six and six was not necessarily twelve but something much more exciting - the number 3, of a secret code..."

Page 5

"...The thing to do is to follow the path until all the clues are in place and let your mind run free. It is only then that you find what the young master saw: the fixed points in the wind."

"...it is in this spirit I dedicate the journey to you. Follow the clues, build up the jigsaw piece by piece and make your own investigations; become part of the search. Go back in time and let the free spirit in you enter. Talk to it, play ask the strangest questions.
Start to count again in the simplest of ways, one, two, three, four...up to nine.

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

 

15
THE RAINBOW LIGHT
-
-
-
-
THE
33
15
6
-
R
18
9
9
-
A
1
1
1
-
I
9
9
9
-
N+B+O+W
54
18
9
-
L
12
3
3
-
I
9
9
9
-
G+H+T
35
17
8
15
THE RAINBOW LIGHT
171
81
54
1+5
-
1+7+1
8+1
5+4
6
THE RAINBOW LIGHT
9
9
9

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.

'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

NET ENTERS NETERS TEN

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

T
=
2
-
3
THE
33
15
6
H
=
8
-
5
HEART
52
25
7
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
M
=
4
-
6
MATTER
77
23
5
-
-
22
-
19
First Total
216
90
27
-
-
2+2
-
1+9
Add to Reduce
2+1+6
9+0
2+7
-
-
4
-
10
Second Total
9
9
9
-
-
-
-
1+0
Reduce to Deduce
-
-
-
-
-
4
-
1
Essence of Number
9
9
9

 

 

 

THE DIVINE COMEDY

OF

DANTE ALIGHIERI (1265-1321)

THE FLORENTINE

CANTICA I

HELL

(L'INFERNO)

INTRODUCTION

Page 9

"Midway this way of life we're bound upon

I woke to find myself in a dark wood,

Where the right road was wholly lost and gone."

 

M
=
4
-
6
MIDWAY
75
30
3
T
=
2
-
4
THIS
56
20
2
W
=
5
-
3
WAY
49
13
4
O
=
6
-
2
OF
21
12
3
L
=
3
-
4
LIFE
32
23
5
W
=
5
-
4
WE'RE
51
24
6
B
=
2
-
5
BOUND
56
20
2
U
=
3
-
4
UPON
66
21
3
-
-
30
-
32
-
406
163
28
-
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
W
=
5
-
4
WOKE
54
18
9
T
=
2
-
2
TO
35
8
8
F
=
6
-
4
FIND
33
24
6
M
=
4
-
6
MYSELF
80
26
8
I
=
9
-
2
IN
23
14
5
A
=
1
-
1
A
1
1
1
D
=
4
-
4
DARK
34
16
7
W
=
5
-
4
WOOD
57
21
3
-
-
45
-
28
-
326
137
56
-
-
-
-
-
-
-
-
-
W
=
5
-
5
WHERE
59
32
5
T
=
2
-
3
THE
33
15
6
R
=
9
-
5
RIGHT
62
35
8
R
=
9
-
4
ROAD
38
20
2
W
=
5
-
3
WAS
43
7
7
W
=
5
-
6
WHOLLY
95
32
5
L
=
3
-
4
LOST
66
12
3
A
=
1
-
3
AND
19
10
1
G
=
7
-
4
GONE
41
23
5
-
-
46
-
37
-
456
186
42
-
-
-
-
-
-
-
-
-
-
-
121
-
97
First Total
1188
486
126
-
-
1+2+1
-
9+7
Add to Reduce
1+1+8+8
4+8+6
1+2+6
Q
-
4
-
16
Second Total
18
18
9
-
-
-
-
1+6
Reduce to Deduce
1+8
1+8
-
-
-
4
-
7
Essence of Number
9
9
9

 

 

THE DIVINE COMEDY

OF

DANTE ALIGHIERI (1265-1321)

THE FLORENTINE

CANTICA I

HELL

(L'INFERNO)

INTRODUCTION

Page 9

"Power failed high fantasy here; yet, swift to move

Even as a wheel moves equal, free from jars,

Already my heart and will were wheeled by love,

The Love that moves the sun and other stars."

 

 

T
=
2
-
3
THE
33
15
6
G
=
7
-
3
GOD
26
17
8
M
=
4
-
4
MIND
40
22
4
-
-
13
-
10
First Total
99
54
18
-
-
1+3
-
1+0
Add to Reduce
9+9
5+4
1+8
-
-
4
-
1
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
4
-
1
Essence of Number
9
9
9

 

 

........

 

3
THE
33
15
6
6
DIVINE
63
36
9
9
DIMENSION
102
48
3
18
First Total
198
99
18
1+8
Add to Reduce
1+9+8
9+9
1+8
9
Second Total
18
18
9
-
Reduce to Deduce
1+8
1+8
-
9
Essence of Number
9
9
9

 

 

A
=
1
-
1
A
1
1
1
M
=
4
-
10
MYSTERIOUS
164
47
2
V
=
4
-
5
VOICE
54
27
9
I
=
I
-
2
IN
23
14
5
T
=
3
-
3
THE
33
15
6
N
=
5
-
5
NIGHT
58
31
4
-
-
18
-
26
-
333
135
27
-
-
1+8
-
2+6
-
3+3+3
1+3+5
2+7
-
-
9
-
8
-
9
9
9

 

 

-
THE HOLY NAME
-
-
-
3
THE
33
15
6
4
HOLY
60
24
6
4
NAME
33
15
6
11
THE HOLY NAME
126
54
18
1+1
-
1+2+6
5+4
1+8
2
THE HOLY NAME
9
9
9

 

 

10
NAMES OF GOD
99
45
9

 

 

Hannah, can you hear me? Wherever you are, look up, Hannah.

The clouds are lifting. The sun is breaking through.

We are coming out of the darkness into the light.

We are coming into a new world, a kindlier world, where men will rise above their hate, their greed and brutality.

Look up, Hannah. The soul of man has been given wings, and at last he is beginning to fly.

He is flying into the rainbow - into the light of hope, into the future,

the glorious future that belongs to you, to me, and to all of us. Look up, Hannah. Look up.

Charlie Chaplin Great Dictator "Look up Hannah" Speech 1940

 

 

THE HIGH GOD IN THE AGE OF COFFIN TEXTS

Myth and Symbol in Ancient Egypt

Translated by R.T. Rundle Clark, 1959

Page 80

I am Atum, the creator of the Eldest Gods,

I am he who gave birth to Shu,

I am that great He-She,

I am he who did what seemed good to him,

I took my space in the place of my will,

Mine is the space of those who move along

like those two serpentine circles.

'Coffin Texts,' I, 161: ff)

 

 

ATUM 1234 ATUM

 

 

A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
4
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
4
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
4
ATUM
1
1
1

 

 

4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
4
A
T
U
M
-
-
10
-
-
4
-
10
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
4
A
T
U
M
-
-
1
-
-
4
-
1

 

 

ATUM QUANTUM ATOM

QUANTUM

ATUM

 

-
-
-
-
-
ATUM
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
2
-
3
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
1
-
3
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
6
-
2
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
1
-
11
M
13
4
4
-
-
-
-
4
-
-
-
-
-
-
-
2
-
3
ATUM
55
10
10
-
-
-
-
-
-
-
-
-
-
-
-
2+6
-
4+4
-
5+5
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
8
ATUM
10
1
1
-
1
2
9
4
5
3
7
8
9
-
-
2+6
-
-
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
8
ATUM
1
1
1
-
1
2
9
4
5
3
7
8
9

 

 

3
THE
33
15
6
4
NINE
42
24
6
7
BILLION
73
37
1
5
NAMES
52
16
7
2
OF
21
12
3
3
GOD
26
17
8
24
-
247
121
31
2+4
-
2+4+7
1+2+1
3+1
6
-
13
4
4
-
-
1+3
-
-
6
-
4
4
4

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

Page 15

The Nine Billion Names of God


'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typew
riters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my granduncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

BURY MY HEART AT WOUNDED KNEE.

An Indian History of the American West.

Dee Brown.

First Published in Vintage 1991.

 

"I did not know then how much was ended. When I look back now from the high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the blood and mud, and was buried in the blizzard. A peoples dream died there. It was a beautiful dream…the nations hoop is broken and scattered. There is no centre any longer, and the sacred tree is dead.

Black Elk

 

 

www.archives.govThe Declaration of Independence: A Transcription

IN CONGRESS, July 4, 1776.

The Unanimous Declaration of the Thirteen United States of America,

When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.-That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, -That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.-Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.

 

 

T
=
2
-
3
THE
33
15
6
U
=
3
-
8
UNIVERSE
113
41
5
O
=
6
-
2
OF
21
12
3
G
=
7
-
4
GODS
45
18
9
M
=
4
-
4
MIND
40
22
4
-
-
22
Q
21
Add to Reduce
252
108
27
-
-
2+2
-
2+1
Reduce to Deduce
2+5+2
7+0
1+6
-
-
4
-
3
Essence of Number
9
9
9

 

 

 

 

King of Egypt was a position that existed in some form from approximately 3200 BC to the mid 20th century. For information on specific Egyptian monarchs and ... en.wikipedia.org/wiki/King_of_Egypt -

 

 

To Napkhuria (Akhenaten), king of Egypt, my brother, my son-in-law, who loves me and whom I love, thus speaks Tushratta, king of Mitanni, your father-in-law ... euler.slu.edu/Dept/Faculty/bart/egyptianhtml/kings

 

 

Tušrata king of Mittanni to Amenophis III, No. 1 ...... Abdu) is a variant name of Thushrata/Dushratta; Dushrati/Dushratta/Tushratta. ... www.specialtyinterests.net/eae.

 

 

Chapter III THE HITTITES

two from Dushratta, King of Mitanni, in the native language of that country, though written in ..... gain most of our information about Mittanni. ... dqhall59.com/Archaeology_and_the_Bible/Chapter_

 

 

THE TOMB OF TUTANKHAMEN

Howard Carter

1972 Edition

"...But on the point of apparent blood relationship of the two kings the following letter from among the cuneiform correspondence found at El Amarna seems to throw considerable light:

From Dushratta (King of Mittanni, Upper Mesopotamia) to Napkhuria (Akhenaten King of Egypt).

"To Napkhuria, the King of Egypt, my brother my son-in-law, who loves me and whom I love, has spoken thusDushratta, the King of Mittanni, thy brother in law, who loves thee thy brother: I am in health, Mayest thou be in health..."

 

 

I

SAY

THREAD THAT THREAD

THREAD READ DEATH DEATH READ THREAD

THREAD R DEATH DEATH R THREAD

THREAD READ DEAR DAERHT

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

Circa 1900

FOURTH EDITION

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

FOURTH EDITION

Circa 1900

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

lisle thread: lisle thread

A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD

 

 

Definition - of Lisle from Dictionary.net

Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k

 

 

CASSELL'S ENGLISH DICTIONARY

1974

Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.

 

 

I

ME

I SAY ISIS SAY I

I SAY OSIRIS SAY I

I SAY CHRIST SAY I

I SAY KRISHNA SAY I

I SAY RISHI ISHI ISHI RISHI SAY I

I SAY VISHNU SHIVA SHIVA VISHNU SAY I

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON

 

 

SO IRIS OSIRIS ISIS OSIRIS IRIS SO

SO 999S OS999S 9S9S OS999S 999S SO

SO IRIS OSIRIS ISISIS OSIRIS IRIS SO

 

 

WHY SMASH ATOMS

A. K. Solomon 1940

VAN DE GRAAFF GENERATOR

Page 77

"Once the fairy tale hero has penetrated the ring of fire round the magic mountain he is free to woo the heroine in her castle on the mountain top."

.....

OF TIME AND STARS

Arthur C. Clarke 1972

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my grand-uncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

Page 15

The Nine Billion Names of God

'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typew
riters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

 

I = 9 9 = I

R = 9 9 = R

 

OF

T9ME AND STA9S

A9thu9 C. Cla9ke,1972

Page 15

THE N9NE B9LL9ON NAMES OF GOD

'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?'

'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.'

'9 dont qu9te unde9stand…'

'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t

'Natu9ally.'

'9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God'

'9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,'

'And you have been do9ng th9s for three centu99es?

'Yes: we expected9t would take us about f9fteen thousand years to complete the task.'

'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ?

'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply.

'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all'

9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …'

'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.'

'Th9ee? Su9ely you mean two.'

'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.'

'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.'

'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…"

 

 

"INRI" is an abbreviation for the Latin "Iesus Nazarenus, Rex Iudaeorum" ("Jesus the Nazarene, King of the Jews"), posted on the cross by order of the Roman procurator, Pontius Pilate.

King James Bible
And set up over his head his accusation written, THIS IS JESUS THE KING OF THE JEWS.

Matthew 27:46 About three in the afternoon Jesus cried out ...
biblehub.com/matthew/27-46.htm

And about the ninth hour, Jesus cried out in a loud voice, saying, "Eli, Eli, lama sabachthani?" That is, "My God
, My God, why have you forsaken Me?"

 

What does ELI ELI LAMA SABACHTHANI mean?

 

www.biblestudy.org/.../meaning-of-eli-eli-lama-sabachthani-spoken-by-j...

 

45 Now from the sixth hour darkness fell upon all the land until the ninth hour. 46 About the ninth hour Jesus cried out with

a loud voice, saying, 'Eli, Eli, lama ...

 

45 Now from the sixth hour darkness fell upon all the land until the ninth hour. 46 About the ninth hour Jesus cried out with a loud voice, saying, 'Eli, Eli, lama sabachthani?' that is, 'My God, My God, why have You forsaken Me?' " (Matthew 27:45 - 46,

 

What is the ninth hour in the Bible?

 

Now from the sixth hour there was darkness over all the land unto the ninth hour. From noon until three in the afternoon darkness came over the whole land. From noon on, darkness came over the whole land until three in the afternoon.

 

 

 

THE STRANGE DREAM OF VIOLA LIUZZO 1965

 

 

LOVE LOVE LOVE = 999 = LOVE LOVE LOVE

DIVINE LOVE REAL 999 REAL LOVE DIVINE

DIVINE = 9 = LOVE = 9 = LOVE = 9 = DIVINE

 

 

 

 

THE VOYAGE OF THE DAWNTREADER

C. S. Lewis 1952

Page 155

CHAPTER FOURTEEN

THE BEGINNING OF THE END OF THE WORLD

But Lucy, looking out from between the wings of the birds that covered her, saw one bird fly to the Old Man with something in its beak that looked like a little fruit, unless it was a little live coal, which it might have been, for it was too bright to look at. And the bird laid it in the Old Man's mouth.

 

Page 159

"When I set for the last time, decrepit and old beyond all that you can reckon, I was carried to this island. I am not so old now as I was then. Every morning a bird brings me a fire-berry from the valleys in the Sun, and each fire-berry takes away a little of my age. And when I have become as young as the child that was born yesterday, then I shall take my rising again (for we are at earth's eastern rim) and once more tread the great dance."

 

 

THE RIVER GOD 

Wilbur Smith 1993

Page 47

"If I had known then how close my words would turn out to being the truth, I think I should have placed a live coal on my tongue before I spoke them."

 

 

HOLY BIBLE

Scofield References

Page 922

ISAIAH

C 6 V 6

 

6

Then flew one of the seraphims unto me, having a live coal in his hand, which he had taken with the tongs from off the altar:

7

And he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged.

 

 

Esagila - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Esagila

The Ésagila, a Sumerian name signifying "É (temple) whose top is lofty", (literally: "house of the raised head") was a temple dedicated to Marduk, the protector ...

 

Esagila - Livius www.livius.org › Articles › Place

7 Aug 2015 - Esagila or Esagil (Sumerian, "The house that rises its head"): temple of Marduk, center of the Babylonian state cult. Background © Digital Atlas ...

 

Esagila | ancient temple, Middle East | Britannica.com
www.britannica.com/topic/Esagila

Esagila, most important temple complex in ancient Babylon, dedicated to the god Marduk, the tutelary deity of that city. ... The tremendous wealth of Esagila was recorded by the Greek historian Herodotus, who is believed to have visited Babylon in the 5th century bc.

 

 

-
E, SAG. ILA
-
-
-
1
E
5
5
5
3
SAG
27
18
9
3
ILA
22
13
4
7
E, SAG. ILA
54
36
18
-
-
5+4
3+6
1+8
7
E, SAG. ILA
9
9
9

 

 

7
E-SAG-ILA
-
-
-
-
E
5
5
5
-
S+A+G
27
18
9
-
I+L+A
22
13
4
7
E-SAG-ILA
54
36
18
-
-
5+4
3+6
1+8
7
E-SAG-ILA
9
9
9

 

 

-
6
M
A
R
D
U
K
-
-
-
-
-
--
-
-
-
`-
13
1
18
4
21
11
+
=
68
6+8
=
14
1+4
5
-
-
4
1
9
4
3
2
+
=
23
2+3
=
5
-
5
-
6
M
A
R
D
U
K
-T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
-
--
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
4
-
-
4
-
-
-
-
4
occurs
x
2
=
8
5
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
9
occurs
x
1
=
9
26
6
M
A
R
D
U
K
-
-
19
-
1
6
-
23
2+6
-
-
-
9
-
-
-
-
-
1+9
-
-
-
-
2+3
8
6
M
A
R
D
U
K
-
-
10
-
1
6
-
5
-
-
4
1
9
4
3
2
-
-
1+0
-
-
-
-
-
8
6
M
A
R
D
U
K
-
-
1
-
-
6
-
5

 

 

6
M
A
R
D
U
K
-
-
-
-
-
--
-
-
`-
13
1
18
4
21
11
+
=
68
6+8
=
14
1+4
5
-
4
1
9
4
3
2
+
=
23
2+3
=
5
-
5
6
M
A
R
D
U
K
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
--
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
4
-
-
4
-
-
-
-
4
occurs
x
2
=
8
-
-
-
9
-
-
-
-
-
9
occurs
x
1
=
9
6
M
A
R
D
U
K
-
-
19
-
1
6
-
23
-
-
-
9
-
-
-
-
-
1+9
-
-
-
-
2+3
6
M
A
R
D
U
K
-
-
10
-
1
6
-
5
-
4
1
9
4
3
2
-
-
1+0
-
-
-
-
-
6
M
A
R
D
U
K
-
-
1
-
-
6
-
5

 

 

B
=
2
3
BEL
19
10
1
M
=
4
6
MARDUK
68
23
5
-
-
6
9
First Total
87
33
6
-
-
-
-
Add to Reduce
8+7
3+3
-
Q
-
6
9
Second Total
15
6
6
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
6
9
Essence of Number
6
6
6

 

 

7
NINEVEH
-
-
-
-
N
14
5
5
-
I
9
9
9
1
N
14
5
5
-
E+V
27
9
9
1
E+H
13
13
4
7
NINEVEH
77
41
32
-
-
7+7
4+1
3+2
7
NINEVEH
14
5
5
-
-
1+4
-
-
7
NINEVEH
5
5
5

 

 

7
NINEVEH
-
-
-
-
N+I
213
14
5
-
E+V+E+N
46
19
1
1
H
8
8
8
7
NINEVEH
77
41
14
-
-
7+7
4+1
1+4
7
NINEVEH
14
5
5
-
-
1+4
-
-
7
NINEVEH
5
5
5

 

 

7
NINEVEH
77
41
5
7
H-IN-EVEN
77
41
5

 

 

SEE RE C THAT ACTION THAT C RE SEE

CREATION REACTION CREATION

REACTION CREATION REACTION

CREATOR REACTOR CREATOR

REACTOR CREATOR REACTOR

 

 

R
=
9
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
R
=
9
-
5
RIVER
72
36
36
-
-
-
-
-
-
7+2
3+6
3+6
R
=
9
-
5
RIVER
9
9
9

 

The Isis - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/The_Isis

The Isis is the name given to the part of the River Thames above Iffley Lock which flows through the university city of Oxford, England, past Christ Church ...

 

O
=
6
-
-
OXFORD
-
-
-
-
-
-
-
1
O
15
6
6
-
-
-
-
1
X
24
6
6
-
-
-
-
1
F
6
6
6
-
-
-
-
1
O
15
6
6
-
-
-
-
1
R
18
9
9
-
-
-
-
1
D
4
4
4
O
=
6
-
6
OXFORD
82
37
37
-
-
-
-
-
-
8+2
3+7
3+7
O
=
6
-
6
OXFORD
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
O
=
6
-
6
OXFORD
1
1
1

 

 

-
RED RIVER
-
-
-
1
R
18
9
9
2
E+D
9
9
9
-
RIVER
-
-
-
1
R
18
9
9
1
I
9
9
9
2
V+E
27
9
9
1
R
18
9
9
8
RED RIVER
99
54
54
-
-
9+9
5+4
5+4
8
RED RIVER
18
9
9
-
-
1+8
-
-
8
RED RIVER
9
9
9

 

 

Daily Mail. Thursday, June 27, 2013

Page 68

ANSWERS TO CORRESPONDENTS

QUESTION

Tyne is thought to be a Celtic word forriver’, so ‘River Tyne’ is a tautology. Are there any other tautological place names?

 

 

QI - Series C - Cleve Crudgington - British Comedy Guide
Other examples include the River Tyne (River River) Paraguay River (River River River) and Sahara Desert (Desert Desert). "Boutros Boutros-Ghali" means ... www.comedy.org.uk/guide/tv/qi/episodes

- Torpenhow Hill is twice as interesting a Mount Fuji, because "Torpenhow Hill" means "Hill Hill Hill Hill", whilst "Mount Fuji" is just "Hill Hill". They are tautological place names. Other examples include the River Tyne (River River) Paraguay River (River River River) and Sahara Desert (Desert Desert). "Boutros Boutros-Ghali" means "Peter Peter-Expensive". Correction: The hill in question is just "Torpenhow", not "Torpenhow Hill". Therefore, it is "Hill Hill Hill".

 

Nothingness « Everybody lies…
Then there are rivers, like the River Aven, River Ax, River Ax and more rivers that all mean “river river”. Paraguay River means “river river river” and ...
ingas.wordpress.com/category/nothingness/ - Cached - Similar


Everybody lies…
Then there are rivers, like the River Aven, River Ax, River Ax and more rivers that all mean “river river”. Paraguay River means “river river river” and ...
ingas.wordpress.com/page/2/ - Cached - Similar


River Paraguay - TheBestLinks.com - Paraguay River, Argentina ...
Paraguay River, River Paraguay, Argentina, Brazil, Bolivia, Desert, National ... Print friendly version | Tell a friend ...
www.thebestlinks.com/Paraguay_River.html - Similar

 

Then there are rivers, like the River Aven, River Ax, River Ax and more rivers that all mean “river river”. Paraguay River means “river river river” a

 

-
-
-
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
-
-
-
-
5
RIVER
72
36
36
-
-
-
-
-
-
7+2
3+6
3+6
R
=
9
-
5
RIVER
9
9
9

 

 

-
-
-
-
-
PARAGUAY
-
-
-
-
-
-
-
1
P
16
7
7
-
-
-
-
1
A
1
1
1
-
-
-
-
1
R
18
9
9
-
-
-
-
1
A
1
1
1
-
-
-
-
1
G
7
7
7
-
-
-
-
1
U
21
3
3
-
-
-
-
1
A
1
1
1
-
-
-
-
1
Y
25
7
7
-
-
-
-
8
PARAGUAY
90
36
36
-
-
-
-
-
-
9+0
3+6
3+6
P
=
7
-
8
PARAGUAY
9
9
9

 

 

-
PARAGUAY
-
-
-
4
P+A+R+A
36
18
9
4
G+U+A+Y
54
18
9
8
PARAGUAY
90
36
18
-
-
9+0
3+6
3+6
8
PARAGUAY
9
9
9

 

 

R
=
9
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
R
=
9
-
5
RIVER
72
36
36
-
-
-
-
-
-
7+2
3+6
3+6
R
=
9
-
5
RIVER
9
9
9

 

 

P
=
7
-
8
PARAGUAY
90
36
9
R
=
9
-
5
RIVER
72
36
9
-
-
16
-
8
Add to Reduce
162
72
9
-
-
1+6
-
-
Reduce to Deduce
1+6+2
7+2
1+8
-
-
7
-
8
Essence of Number
9
9
9

 

 

Redundancies > Redundant etymology
Paraguay River – This is a triple redundancy. Both para and guay derive from terms meaning river. So to say Paraguay River is essentially to say river river ... www.fun-with-words.com/redundant_etymology.html - Cached - Similar

 

Rivers Called River
River Avon – This UK river has a name that means river river. Avon used to mean river.
Rio Grande River – Rio Grande means big river. Therefore the addition of river yeilds the etymologically redundant Big river river.

Paraguay River – This is a triple redundancy. Both para and guay derive from terms meaning river. So to say Paraguay River is essentially to say river river!

Yenisei River – The same is true of this name. Yene means big river and ses also means river. Thus we have an expression that literally translates as big river river river.

 

-
PARAGUAY
-
-
-
4
P+A+R+A
36
18
9
4
G+U+A+Y
54
18
9
8
PARAGUAY
90
36
18
-
-
9+0
3+6
3+6
8
PARAGUAY
9
9
9

 

 

Paraguay River – This is a triple redundancy. Both para and guay derive from terms meaning river. So to say Paraguay River is essentially to say river river!

Yenisei River – The same is true of this name. Yene means big river and ses also means river. Thus we have an expression that literally translates as big river river river.

 

 

-
-
-
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
R
=
9
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
R
=
9
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
R
=
9
-
-
RIVER
-
-
-

 

 

Daily Mail. Thursday, June 27, 2013

Page 68

ANSWERS TO CORRESPONDENTS

QUESTION

Tyne is thought to be a Celtic word forriver’, so ‘River Tyne’ is a tautology. Are there any other tautological place names?

 

 

R
=
9
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
R
=
9
-
5
RIVER
72
36
36
-
-
-
-
-
-
7+2
3+6
3+6
R
=
9
-
5
RIVER
9
9
9

 

 

-
4
N
I
L
E
-
-
-
-
-
--
-
-
-
-
-
-
5
9
-
-
+
=
14
1+4
=
5
=
5
=
5
-
`-
14
9
-
-
+
=
23
2+3
=
5
=
5
=
5
-
4
N
I
L
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
5
+
=
8
-
=
8
=
8
=
8
-
`-
-
-
12
5
+
=
17
1+7
=
8
=
8
=
8
-
4
N
I
L
E
-
-
-
-
-
-
-
-
-
-
-
`-
14
9
12
5
+
=
40
4+0
=
4
=
4
=
4
-
-
5
9
3
5
+
=
22
2+2
=
4
=
4
=
4
-
4
N
I
L
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
--
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
5
-
-
5
-
-
5
occurs
x
2
=
10
1+0
1
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
--
-
9
-
-
-
-
9
occurs
x
1
=
9
=
9
28
4
N
I
L
E
-
-
17
-
-
4
-
22
-
13
2+8
-
-
9
-
-
-
-
1+7
-
-
-
-
2+2
-
1+3
10
4
N
I
L
E
-
-
8
-
-
4
-
4
-
4
1+0
-
5
9
3
5
-
-
-
-
-
-
-
-
-
-
1
4
N
I
L
E
-
-
8
-
-
4
-
4
-
4

 

LINE OF NILE

 

4
N
I
L
E
-
-
-
-
-
--
-
-
-
-
-
5
9
-
-
+
=
14
1+4
=
5
=
5
=
5
`-
14
9
-
-
+
=
23
2+3
=
5
=
5
=
5
4
N
I
L
E
-
-
-
-
-
-
-
-
-
-
-
-
-
3
5
+
=
8
-
=
8
=
8
=
8
`-
-
-
12
5
+
=
17
1+7
=
8
=
8
=
8
4
N
I
L
E
-
-
-
-
-
-
-
-
-
-
`-
14
9
12
5
+
=
40
4+0
=
4
=
4
=
4
-
5
9
3
5
+
=
22
2+2
=
4
=
4
=
4
4
N
I
L
E
-
-
-
-
-
-
-
-
-
-
--
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
-
5
-
-
5
-
-
5
occurs
x
2
=
10
1+0
1
--
-
9
-
-
-
-
9
occurs
x
1
=
9
=
9
4
N
I
L
E
-
-
17
-
-
4
-
22
-
13
-
-
9
-
-
-
-
1+7
-
-
-
-
2+2
-
1+3
4
N
I
L
E
-
-
8
-
-
4
-
4
-
4
-
5
9
3
5
-
-
-
-
-
-
-
-
-
-
4
N
I
L
E
-
-
8
-
-
4
-
4
-
4

 

 

R
=
9
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
R
=
9
-
5
RIVER
72
36
36
-
-
-
-
-
-
7+2
3+6
3+6
R
=
9
-
5
RIVER
9
9
9

 

 

THE SPLENDOUR THAT WAS EGYPT

Margaret A. Murray

Appendix

4

The New Year of God

Cornhill Magazine 1934

Page 231/233

"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God, and the narrow streets are full of the soft sound of bare feet moving towards the Nile. The village lies on a strip of ground; one one side is the river, now swollen to its height, on the other are the floods of the inundation spread in a vast sheet of water to the edge of the desert. On a windy night the lapping of wavelets is audible on every hand; but to-night the air is calm and still, there is no sound but the muffled tread of unshod feet in the dust and the murmur of voices subdued in the silence of the night.

In ancient times throughout the whole of Egypt the night of High Nile was a night of prayer and thanks giving to the great god , the Ruler of the river, Osiris himself. Now it is only in this Coptic village that the ancient rite is preserved, and here the festival is still one of prayer and thanksgiving. In the great cities the New Year is a time of feasting and processions, as blatant and uninteresting as a Lord Mayor's Show, with that additional note of piercing vulgarity peculiar to the East.

In this village, far from all great cities, and-as a Coptic community-isolated from and therefore uninfluenced either by its Moslem neighbours or by foreigners, the festival is one of simplicity and piety. The people pray as of old to the Ruler of the river, no longer Osiris, but Christ; and as of old they pray for a blessing upon their children and their homes.

There are four appointed places on the river bank to which the village women go daily to fill their water-jars and to water their animals. To these four places the villagers are now making their way, there to keep the New Year of God.

The river gleams coldly pale and grey; Sirius blazing in the eastern sky casts a narrow path of light across the mile-wide waters. A faint glow low on the horizon shows where the moon will rise, a dying moon on the last day of the last quarter.

The glow gradually spreads and brightens till the thin crescent, like a fine silver wire, rises above the distant palms. Even in that attenuated form the moonlight eclipses the stars and the glory of Sirius is dimmed. The water turns to the colour of tarnished silver, smooth and glassy; the palm-trees close at hand stand black against the sky, and the distant shore is faintly visible. The river runs silently and without a ripple in the windless calm; the palm fronds, so sensitive to the least movement of the air, hang motionless and still; all Nature seems to rest upon this holy night.

The women enter the river and stand knee-deep in the running stream praying; they drink nine times, wash the face and hands, and dip themselves in the water. Here is a mother carrying a tiny wailing baby; she enters the river and gently pours the water nine times over the little head. The wailing ceases as the water cools the little hot face. Two anxious women hasten down the steep bank, a young boy between them; they hurriedly enter the water and the boy squats down in the river up to his neck, while the mother pours the water nine times with her hands over his face and shaven head. There is the sound of a little gasp at the first shock of coolness, and the mother laughs, a little tender laugh, and the grandmother says something under her breath, at which they all laugh softly together. After the ninth washing the boy stands up, then squats down again and is again washed nine times, and yet a third nine times; then the grandmother takes her turn and she also washes him nine times. Evidently he is very precious to the hearts of those two women, perhaps the mother's last surviving child. Another sturdy urchin refuses to sit down in the water, frightened perhaps, for a woman's voice speaks encouragingly, and presently a faint splashing and a little gurgle of childish laughter shows that he too is receiving the blessing of the Nauruz of God.

A woman stands alone, her slim young figure in its wet clinging garments silhouetted against the steel-grey water. Solitary she stands, apart from the happy groups of parents and children; then, stooping , she drinks from her hand once, pauses and drinks again; and so drinks nine times with a short pause between every drink and a longer pause between every three. Except for the movement of her hand as she lifts the water to her lips, she stands absolutely still, her body tense with the earnestness of her prayer, the very atmosphere round her charged with the agony of her supplication. Throughout the whole world there is only one thing which causes a woman to pray with such intensity, and that one thing is children. " This may be a childless woman praying for a child, or it may be that, in this land where Nature is as careless and wasteful of infant life as of all else, this a mother praying for the last of her little brood, feeling assured that on this festival of mothers and children her prayers must perforce be heard. At last she straightens herself, beats the water nine times with the corner of her garment, goes softly up the bank, and disappears in the darkness.

Little family parties come down to the river, a small child usually riding proudly on her father's shoulder. The men often affect to despise the festival as a woman's affair, but with memories in their hearts of their own mothers and their own childhood they sit quietly by the river and drink nine times. A few of the rougher young men fling themselves into the water and swim boisterously past, but public feeling is against them, for the atmosphere is one of peace and prayer enhanced by the calm and silence of the night.

Page 232 and 233 Continued.

For thousands of years on the night of High Nile the mothers of Egypt have stood in the great river to implore from the God of the Nile a blessing upon their children; formerly from a God who Himself has memories of childhood and a Mother. Now, as then, the stream bears on its broad surface the echo of countless prayers, the hopes and fears of human hearts; and in my memory remains a vision of the darkly flowing river, the soft murmur of prayer, the peace and calm of the New Year of God.

Abu Nauruz hallal.

 

THE WORD "NINE" OCCURS x 9 AND "NINTH" x 1

 

 

A
=
1
-
3
ABU
24
6
6
N
=
5
-
6
NAURUZ
101
29
2
A
=
1
-
5
ALLAH
34
16
7
-
-
7
4
14
First Total
159
51
15
-
-
-
-
1+4
Add to Reduce
1+5+9
5+1
1+5
-
-
7
-
5
Second Total
15
6
6
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
7
-
5
Essence of Number
6
6
6

 

Page 231/233

"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God

 

 

N
=
5
-
6
NAURUZ
101
29
2
A
=
1
-
5
ALLAH
34
16
7
-
-
6
4
11
Add to Reduce
135
45
9
-
-
-
-
1+1
Reduce to Deduce
1+3+5
4+5
-
-
-
6
-
2
Essence of Number
9
9
9

 

 

Daily Mail. Thursday, June 27, 2013

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

Page 68

QUESTION

Tyne is thought to be a Celtic word forriver’, so ‘River Tyne’ is a tautology. Are there any other tautological place names?

TWO of my favourite examples of tautologies come from the U.S., and specifically from California where the frequent admixture of Spanish and English can result in some blatant redundancies.
A tourist sight in the LA area containing a prehistoric swamp of liquid asphalt that has revealed the mired skeletons of woolly mammoths, sabre-tooth tigers and a 10,000-year-old young woman is known as The La Brea Tar Pits. Since La Brea in Spanish means ‘the tar’ the fully translated name is The The Tar Tar Pits.

A second example involves the name of the Major League baseball team known as the Los Angeles Angels. Since Los Angeles means ‘the angels’ in Spanish, the team is therefore the the Angels Angels.
David Rock, Sheffield.

I ONCE worked for CEL Electronics Limited in Saffron Walden. However, CEL stood for Chroma Electronics Limited, making the full company name Chroma Electronics Limited Electronics Limited.
Tim Nelson, Dunmow, Essex.


CLOSE to Wigton in Cumbria is Torpenhow Hill, whose name is a quadruple tautology: Tor, pen, and how all mean ‘hill’ in different languages (Old English, Welsh, and Danish, respectively), so that a literal translation of Torpenhow Hill would be Hill hill hill Hill.
Tony Oakes-Phillips, Trowbridge, Wilts.

 

Torpenhow Hill - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/Torpenhow_Hill

Torpenhow Hill is an alleged hill in Cumbria whose claim to fame is that its name is ... so that a literal translation of "Torpenhow Hill" would be "Hill-hill-hill Hill", ...

 

 

Daily Mail. Thursday, June 27, 2013

Page 68

A second example involves the name of the Major League baseball team known as the Los Angeles Angels. Since Los Angeles means ‘the angels’ in Spanish, the team is therefore the the Angels Angels.
David Rock, Sheffield.

 

Angles & Angels
by Peter Burton and Harland Walshaw 2,000

Page 5
The Venerable Bede tells the story of the slave boys from Northumbria in the Forum at Rome. St Gregory, struck by their fair hair and blue eyes, asks their nationality. When told that they are Angles, he replies, with one of those rare puns that work in two languages, 'Non Angli, sed angeli.' Not Angles, but angels.

 

 

123456789
ABCDEFGHIJKLMNOPQRSTUVWXYZ
123456789
M = 4 5= N
M 4 + 5 N
M 9 N
ABCDEFGHIJKLMNOPQRSTUVWXYZ

THE

MIND OF MIN

 

14 FOURTEEN 14

14 FOURTEEN 14

14 FOURTEEN 104 FOURTEEN 14
14 FOURTEEN 41 FOURTEEN 14
14 FOURTEEN 14 FOURTEEN 14
14 FOURTEEN 5 FOURTEEN 14

 

 

"White Rabbit"

is a song from Jefferson Airplane's 1967 album Surrealistic Pillow.

One pill makes you larger
And one pill makes you small
And the ones that mother gives you
Don't do anything at all
Go ask Alice
When she's ten feet tall

And if you go chasing rabbits
And you know you're going to fall
Tell 'em a hookah smoking caterpillar
Has given you the call
Call Alice
When she was just small

When men on the chessboard
Get up and tell you where to go
And you've just had some kind of mushroom
And your mind is moving slow
Go ask Alice
I think she'll know

When logic and proportion
Have fallen sloppy dead
And the White Knight is talking backwards
And the Red Queen's "off with her head!"
Remember what the dormouse said;
"KEEP YOUR HEAD"

"KEEP YOUR HEAD"
 
 
 
Label RCA Victor
Writer(s) Grace Slick
Producer Rick Jarrard
Jefferson Airplane singles chronology
  
Music sample
"White Rabbit"
 
 
 
"White Rabbit" is a song from Jefferson Airplane's 1967 album Surrealistic Pillow. It was released as a single and became the band's second top ten success, peaking at #8[1] on the Billboard Hot 100. The song was ranked #478 on Rolling Stone's list of the 500 Greatest Songs of All Time,[2] #27 on Rate Your Music's Top Singles of All Time and appears on The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
 
[edit] History“White Rabbit” was written by Grace Slick while she was still with The Great Society. When that band broke up in 1966, Slick was invited to join Jefferson Airplane to replace their departed female singer Signe Toly Anderson, who left the band with the birth of her child. The first album Slick recorded with Jefferson Airplane was Surrealistic Pillow, and Slick provided two songs from her previous group: her own “White Rabbit” and “Somebody to Love”, written by Darby Slick and recorded under the title "Someone to Love" by The Great Society. Both songs became breakout successes for Jefferson Airplane and have ever since been associated with that band.[3]
 
[edit] Lyrics and composition
1967 trade ad for the single.One of Grace Slick's earliest songs, written during either late 1965 or early 1966, uses imagery found in the fantasy works of Lewis Carroll: 1865's Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass such as changing size after taking pills or drinking an unknown liquid. It is commonly thought that these are also references to the hallucinatory effects of psychedelic drugs, such as LSD and psilocybin mushrooms. Characters referenced include Alice, the hookah-smoking caterpillar, the White Knight, the Red Queen, and the Dormouse.
 
For Grace and others in the '60s, drugs were a part of mind-expanding and social experimentation. With its enigmatic lyrics, "White Rabbit" became one of the first songs to sneak drug references past censors on the radio. Even Marty Balin, Grace's eventual rival in the Airplane, regarded the song as a "masterpiece." In interviews, Grace has related that Alice in Wonderland was often read to her as a child and remained a vivid memory into her adult years.
 
Set to a crescendo similar to that of Ravel's famous Boléro, as used in the Miles Davis and Gil Evans album, Sketches of Spain, and a horn arrangement by Spencer Dryden,[4] the music combined with the song's lyrics strongly suggests the sensory distortions experienced with hallucinogens, and the song was later utilized in pop culture to imply or accompany just such a state.
 
[edit] GenesisWhile the Red Queen and the White Knight are both mentioned in the song, the references differ from Lewis Carroll's original text, wherein the White Knight does not talk backwards and it is the Queen of Hearts, not the Red Queen, who says "Off with her head!" However, in the movie Alice In Wonderland (1951), the Queen of Hearts is often referred to as the Red Queen.
 
The last lines of the song are: "Remember what the Dormouse said. Feed your head. Feed your head." They do not explicitly quote the Dormouse as is often assumed. "Remembering what the Dormouse said" probably refers to Alice's Adventures in Wonderland, Chapter XI: "Who Stole the Tarts", wherein a very nervous Mad Hatter is called to testify:
 
" 'But what did the Dormouse say?' one of the jury asked."
" 'That I can't remember', said the Hatter."

"White Rabbit"

is a song from Jefferson Airplane's 1967 album Surrealistic Pillow.

 

 

5
WHITE
65
29
2
6
RABBIT
52
25
7
11
Add to Reduce
117
54
9
1+1
Reduce to Deduce
1+1+7
5+4
-
2
Essence of Number
9
9
9

 

 

This article is about the character in Alice's Adventures in Wonderland. For other uses, see White Rabbit
The White Rabbit
Alice character

First appearance
Alice's Adventures in Wonderland
Created by Lewis Carroll

Nickname(s)
The White Rabbit Species European rabbit Gender Male Occupation Page Nationality Wonderland

The White Rabbit is a fictional character in Lewis Carroll's book Alice's Adventures in Wonderland. He appears at the very beginning of the book, in chapter one, wearing a waistcoat, and muttering "Oh dear! Oh dear! I shall be too late!" Alice follows him down the rabbit hole into Wonderland. Alice encounters him again when he mistakes her for his housemaid Mary Ann and she becomes trapped in his house after growing too large. The Rabbit shows up again in the last few chapters, as a herald-like servant of the King and Queen of Hearts.

In his article "Alice on the Stage" Carroll wrote "And the White Rabbit, what of him? Was he framed on the "Alice" lines, or meant as a contrast? As a contrast, distinctly. For her 'youth', 'audacity', 'vigour', and 'swift directness of purpose', read 'elderly', 'timid', 'feeble', and 'nervously shilly-shallying', and you will get something of what I meant him to be. I think the White Rabbit should wear spectacles. I'm sure his voice should quaver, and his knees quiver, and his whole air suggest a total inability to say 'Boo' to a goose!"[1]
Overall, the White Rabbit seems to shift back and forth between pompous behavior toward his underlings, such as his servants, and grovelling, obsequious behavior toward his superiors, such as the Duchess, and the King and Queen of Hearts, in direct contrast to Alice, who is reasonably polite to everyone she meets. He watches from the side-lines and awaits things to happened, then comes to the rescue mainly for Alice.

 

I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
F
=
6
-
3
FOR
39
21
3
A
=
1
-
1
A
1
1
1
V
=
4
-
4
VERY
70
25
7
I
=
9
-
9
IMPORTANT
126
45
9
D
=
4
-
4
DATE
30
12
3
N
=
5
-
2
NO
29
11
2
T
=
2
-
4
TIME
47
20
2
T
=
2
-
2
TO
35
8
8
S
=
1
-
3
SAY
45
9
9
H
=
8
-
5
HELLO
52
25
7
G
=
7
-
7
GOODBYE
73
37
1
I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
-
-
109
-
74
First Total
847
334
82
-
-
1+0+9
-
7+4
Add to Reduce
8+4+7
3+3+4
8+2
Q
-
10
-
11
Second Total
19
10
10
-
-
1+0
-
1+1
Reduce to Deduce
1+9
1+0
1+0
-
-
1
5
2
Third Total
10
1
1
-
-
-
-
-
Reduce to Deduce
1+0
-
-
-
-
1
5
2
Essence of Number
1
1
1

 

 

3
THE
33
15
6
5
WHITE
65
29
2
7
RABBITS
71
26
8
15
First Total
169
70
16
1+5
Add to Reduce
1+6+9
7+0
1+6
6
Second Total
16
7
7
-
Reduce to Deduce
1+6
-
-
6
Essence of Number
7
7
7

 

 

3
THE
33
15
6
5
WHITE
65
29
2
7
RABBITZ
78
33
6
15
First Total
176
77
14
1+5
Add to Reduce
1+7+6
7+7
1+4
6
Second Total
14
14
5
-
Reduce to Deduce
1+4
1+4
-
6
Essence of Number
5
5
5

 

THE WHITE RABBIT

Bruce Marshall 1952

"Its white and very very very rare"

 

3
THE
33
15
6
5
WHITE
65
29
2
5
RABBI
32
23
5
3
TIS
48
12
3
16
First Total
178
79
16
1+6
Add to Reduce
1+7+8
7+9
1+6
7
Second Total
16
16
7
-
Reduce to Deduce
1+6
1+6
-
7
Essence of Number
7
7
7

 

Daily Mail

Wednesday, March 25, 2009

Page 26

A singular BBC hero
A white rabbit at war: Kenneth More playing F. F. E Yeo-Thomas

QUESTION

The TV series The White Rabbit starring Kenneth More is said to have been shown only once and then destroyed. Was it?

KENNETH MORE (1914-82) was a very British type of film star; the sort of chap who favoured Harris Tweed over leather jackets.
In contrast to the tortured angst of American contemporaries such as Marlon Brando and James Dean, he portrayed a breezy charm. But there was more to More than this.
His showed his skill with light comedy in the classic family film Genevieve. And as Douglas Bader in Reach For The Sky, More became a stiff-upper-lipped icon of British cinema. A Night To Remember is the definitive Titanic film, and Northwest Frontier is a glorious Boy's Own adventure romp.
So he was the ideal choice to play Wing Commander F. F. E. Yeo-Thomas in the BBC production of The White Rabbit (1967).
Forest Frederick Edward Yeo Thomas was the British Special Operations Executive (SOE) agent codenamed The White Rabbit in World War II. His sphere of operations was Occupied and Vichy France, and while liaising with the Resistance in Paris, 'Tommy' was betrayed, taken to the Gestapo at 84 Avenue Foch for interrogation and subjected to brutal torture. After stints in several prisons and many escape attempts, he ended up in Buchenwald concentration camp, from which he eventually escaped in 1945.
The taut and suspenseful miniseries, The White Rabbit, was possibly More's best work. Sadly, it no longer exists. As More explains in his autobiography More Or Less (1978), the film copyright to White Rabbit was held by Hal Chester, who did not want the BBC series to be made in case he decided to make a film of it himself.
The BBC was able to bypass this by agreeing to screen the series just once and not selling it. According to More, the then controller of features at the BBC, David Attenborough, considered the project worthy, but had the tapes destroyed.
Michael Taylor, Cheltenham, Glos.

 

 

THE WHITE RABBIT

THE SECRET AGENT THE GESTAPO COULD NOT CRACK

Bruce Marshall 1952

Page 9

CHAPTER 1

NO ARMS AND THE MAN

"FACT', says Somerset Maughan in his preface to Ashenden, 'is a poor story teller. It starts a story at haphazard, generally long before the beginning, rambles on inconsequentially and tails off, leaving loose ends hanging about, without a conclusion.' His contention generally true. In the case of The White Rabbit, however, which, like Ashenden, is the story of a British Agent, I shall hope to prove that there are occasionally exceptions to the rule"

 

 

Daily Mail,Thursday, April 1, 2010

Page 32

WHY THE WHITE RABBIT DESERVES A BLUE PLAQUE

WING COMMANDER FOREST YEO-THOMAS GC MC was a world war ii legend known to his fellow spies by his codename the White Rabbit and his friends as plain old tommy.

His exploits in Occupied France were immortalised by Kenneth More in the Sixties "

"The second time the White Rabbit parachuted into France, he escaped capture by swapping identities with a corpse and hiding in a hearse."

 

 

----- Original Message -----
From: To: david@denizen7.freeserve.co.uk
Sent: Saturday, January 09, 2010 8:04 PM
Subject: 2009: In search of equilibrium

Why did I call the White Rabbit? Because he ignored my email.
Why did I email the White Rabbit? Because I felt him very close.

 

 

----- Original Message -----
From: Dave Denison
Sent: Thursday, April 01, 2010 1:35 PM
Subject: LETTERSABSTRACTIONSNUMBERS

Shortly after reading your e-mail an asian girl appeared on television with two white rabbits.

 

 

Daily Mail Wednesday, March 25, 2009

Page 43

Hallelujah!

 

 

HURRAH FOR RAH FOR RAH HURRAH

 

THE WHITE RABBITZ MAKING RARE APPEARANCE SAID ALIZZED WE MUST NOW SAY OUR GOODBYES THE COCOON FOR YOU IS ABOUT TO UNRAVEL THE SPIRAL TO REVERSE UPON ITSELF TIME IS OF THE ESSENCE FROM A TIME WITHOUT TIME IT IS TIME TO ENTER UPON THE ADVENTURE OF AN ANYBODYS LIFETIME THERE IS A LABYRINTH TO EXPLORE AND THE MAGIC MOUNTAIN TO ASCEND AND MUCH ONCE SECRET AND PERILOUS AWAKENING LIES AHEAD TAKE THIS RAINBOW BALL OF LIVING TWINE AND HANG IT ON YOUR HOOK OR BY CROOK AND NO MATTER THE TWISTS AND TURNS ENCOMPASSED IN THE THIS AND THAT OF YOUR JOURNEY REMEMBER THAT ONCE INSIDE THE EVER NEVER DREAM LAND OF GREAT AMAZE YOU MUST HOLD FAST THE WHEREBY MEANS OF RETURN FOR THEE THY COMPANIONS IN KIND THE FAR YONDER SCRIBE AND SUCH OF THOSE THAT WITHIN THE PRESENT OF THE FUTURE PAST WILL SHADOW THEE ON THY BLESSED WAY AND THEN THE WHITE RABBITZ WAS GONE

https://www.youtube.com/watch?v=LG9sBqPvBnM

 

 

Daily Mail, Friday, February 12, 2016

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

Page 68

QUESTION Alfred Hitchcock made a film (never released) in the Tyrolean village of Obergurgi, Austria. Does the movie still exist?

THE Mountain Eagle (aka Fear O'God) (1926) was Alfred Hitchcock's second film as director and, like his The Pleasure Garden (1925), it was an Anglo-German co-production.

British directors were often dispatched to Germany at this time to benefit from the country's superior production techniques. Both these films belong to the silent era, and although The Pleasure Garden survives pretty much intact, The Mountain Eagle remains on the British Film Institute's list of lost films...."

"When films by famous directors go missing, they're often thought of, much like stolen paintings, as missing masterpieces. This is unlikely in the case of The Mountain Eagle..."

However, it is an annoying hole in an otherwise complete Hitchcock canon of 53 films. The Mountain Eagle is on the list of the 100 most wanted films and no copy exists in any film library nor even, it would seem, in private hands.

Blood curdling: A still of Bernard Goetzke in The Mountain Eagle

Kevin J. Last, Dorchester, Dorset

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

MOUNTING MISGIVINGS

Page 157

"But the day would come, Settembrini said, with his suave smile; it would come, he repeated, if not on the wings of doves, then on the pinions of eagles; and dawn would break over Europe, the dawn of universal brotherhood, in the name of justice, science, and human reason.

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

THE THUNDERBOLT

Page 709

Softly, as though on the wings of doves, came the words of Herr Ludovico. Yet again, when he came to speak of the unification and universal well being of the liberated peoples, there mingled a sound - he neither knew nor willed it, of course - as of the rushing pinions of eagles. That / Page 710 / was the political key, the grandfatherly inheritance that united in him with the humanistic gift of the father, to make up the litterateur - precisely as humanism and politics united in the lofty ideal of civilization, an ideal wherein were blended the mildness of doves and the boldness of eagles. That ideal was only biding its time, until the day dawned, the Day of the People, when,. the principle of reaction should be laid low, and the Holy Alliance of civic democracies take its place. Yes, here seemed to sound two voices, with differing counsels. For Herr Settembrini was a hu-manitarian, yet at the same time, half explicitly, he was warlike too. In the duel with the outrageous little Naphta he had borne himself like a man. But in general it still remained rather vague what his position was to be, when humanity in an outburst of enthusiasm united itself with politics in support of a triumphant and dominating world-civilization, and the burgher's pike was dedicated upon the altar of humanity. There was some doubt whether he would then hold back his hand from the shedding of blood. Yes, it seemed the prevailing temper more and more held sway in the Italian's mind and view; the boldness of the eagle was gradually outbidding the mildness of the dove.

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

SATANA

Page 58

- "Descend, Herr Settembrini? I protest. Here I have climbed up some five thousand feet to get here - "

" That was only seeming. Upon my honour, it was an illusion," the Italian said, with a decisive wave of the hand. " We are sunk enough here, aren't we, Lieutenant?" he said to Joachim, who, - no little gratified at this method of address, thought to hide his satisfaction, and answered reflectively:

"I suppose we do get rather one-sided. But we can pull ourselves together, afterwards, if we try."

"At least, you can, I'm sure-you are an upright man," Settembrini said. "Yes, yes, yes," he said, repeating the word three times, with a sharp s, turning to Hans Castorp again as he spoke, and then, in the same measured way, clucking three times. with his tongue against his palate. "I see, I see, I see," he said again, giving the s the same sharp sound as before. He looked the newcomer so steadfastly in the face that his eyes grew fixed in a stare; then, becoming lively again, he went on: "So you come up quite of your own free will to us sunken ones, and mean to bestow upon us the pleasure of your company for some little while? That is delightful. And what term had you thought of - putting to your stay? I don't mean precisely. I am merely interested to know what the length of a man's sojourn would be when it is himself and not Rhadamanthus who prescribes the limit."

"Three weeks," Hans Castorp said, rather pridefully, as he saw himself the object of envy.

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

THE THUNDERBOLT

Page 711

These were the moments when the "Seven-Sleeper," not knowing what had happened, was slowly stirring himself in the grass, before he sat up, rubbed his eyes - yes, let us carry the figure to the end, in order to do justice to the movement of our hero's mind: he drew up his legs, stood up, looked about him. He saw himself released, freed from enchantment -not of his own motion; he was fain to confess, but by the operation of exterior powers, of whose activities his own liberation was a minor incident Indeed! Yet though his tiny destiny fainted to nothing in the face of the general, was there not some hint of a personal mercy and grace for him, a manifestation of divine goodness and justice? Would Life receive again her erring and "delicate " child-not by a cheap and easy slipping back to her arms, but sternly, solemnly, peni-entially - perhaps not even among the living, but only with three salvoes fired over the grave of him a sinner? Thus might he return. He sank on his knees, raising face and hands to a heaven that howsoever dark and sulphurous was no longer the gloomy grotto of his state of sin.

 

 

THE THUNDERBOLT

Thomas Mann

1875 1955

FOREWORD

"THE STORY of Hans Castorp, which we would here set forth, ..."

We shall tell it at length, thoroughly, in detail-for when did a narrative seem too long or too short by reason of the actual time or space it took up? We do not fear being called meticulous, in-clining as we do to the view that only the exhaustive can be truly interesting.
Not all in a minute, then, will the narrator be finished with the story of our Hans. The seven days of a week will not suffice, no, nor seven months either. Best not too soon make too plain how much mortal time must pass over his head while he sits spun round in his spell. Heaven forbid it should be seven years!
And now we begin"

The Thunderbolt

Page 706
"
SEVEN years Hans Castorp remained amongst those up here. Partisans of the decimal system might prefer a round number, though seven is a good handy figure in its way, picturesque, with a savour of the mythical; one might even say that it is more filling to the spirit than a dull academic half-dozen. Our hero had sat at all seven of the tables in the dining-room, at each about a year, the last being the "bad" Russian table, and his company there two Armenians, two Finns, a Bokharian, and a Kurd. He sat at the " bad " Russian table, wearing a recent little blond beard, vaguish in cut, which we are disposed to regard as a sign of philosophic indifference to his own outer man. Yes, we will even go further, and relate his carelessness of his person to the carelessness of the rest of the world regarding him. The authorities had ceased to devise him distractions. There was the morning inquiry, as to, whether he had slept well, itself purely rhetorical and summary; and that aside, the Hofrat did not address him with any particularity; while Adriatica von Mylendonk-she had, at the time of which we write, a stye in a perfect state of maturity - did so seldom, in fact scarcely ever. They let him be. He was like the scholar in the peculiarly happy state of never being "asked" any more; of never having a task, of being left to sit, since the fact of his being left behind is established, and no one troubles about him further - an orgiastic kind of freedom, but we ask ourselves whether, in-deed, freedom ever is or can be of any other kind. At all events, here was one on whom the authorities no longer needed to keep an eye, being assured that no wild or defiant resolves were ripening in his breast. He was " settled," established. Long ago he had ceased to know where else he should go, long ago he had ceased to be capable of a resolve to return to the flat-land. Did not the very fact that he was sitting at the " bad " Russian table witness a certain-abandon? No slightest adverse comment upon the said table being intended by the remark! Among all the seven, no single one could be said to possess definite tangible advantages or / Page 707 / disadvantages. We make bold to say that here was a democracy of tables, all honourable alike. T:he same tremendous meals were served here, as at the others; Rhadamanthus himself occasionally folded his huge hands before the doctor's place at the head; and the nations who ate there were respectable members of the human race, even though they boasted no Latin, and were not exag-geratedly dainty at their feeding.
Time - yet not the time told by the station clock, moving with- a jerk five minutes at once, but rather the time of a tiny timepiece, the hand of which one cannot see move, or the time the grass keeps when it grows, so unobservably one would say it does not grow at all, until some morning the fact is undeni- able - time, a line composed of a succession of dimensionless points (and now we are sure the unhappy deceased Naphta would interrupt us to ask how dimensionless points, no matter how many of them, can constitute a line), time, we say, had gone on, in its furtive, unobservable, competent way, bringing about changes. For example, the boy Teddy was discovered, one day- not one single day, of course, but only rather indefinitely from which day - to be a boy no longeer. No more might ladies take him on their laps, when, on occasion, he left his bed, changed his pyjamas for his knickerbockers, and came downstairs. Im-perceptibly that leaf had turned. Now, on such occasions, he took them. on- his instead, and both sides were as well, or even better pleased. He was become a youth; scarcely could we say he had bloomed into a youth; but he had shot up. Hans Castorp had not noticed it happening, and then, suddenly, he did. The shooting-up, however, did not suit the lad Teddy; the temporal became him not. In his twenty-first year he departed this life; dying of the disease for which he had proved receptive; and they cleansed and fumigated after him. The fact makes little claim upon our emotions, the change being so slight between his one state and his next.

 

SEVEN EVENS SEVEN

 

ATUM

THE COMPLETE AND ALL CONTAINING ONE

 

A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
C
=
3
-
8
COMPLETE
89
35
8
A
=
1
-
3
AND
19
10
1
A
=
1
-
3
ALL
25
7
7
C
=
3
-
10
CONTAINING
106
52
7
O
=
6
-
3
ONE
34
16
7
-
-
16
-
30
Add to Reduce
306
135
36
-
-
1+6
-
3+0
Reduce to Deduce
3+0+6
1+3+5
3+6
-
-
7
-
3
Essence of Number
9
9
9

 

 

ATUM

THE COMPLETE AND ALL SUSTAINING ONE

 

A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
C
=
3
-
8
COMPLETE
89
35
8
A
=
1
-
3
AND
19
10
1
A
=
1
-
3
ALL
25
7
7
S
=
1
-
10
SUSTAINING
106
52
7
O
=
6
-
3
ONE
34
16
7
-
-
14
-
30
Add to Reduce
333
126
36
-
-
1+4
-
3+0
Reduce to Deduce
3+3+3
1+2+6
3+6
-
-
5
-
3
Essence of Number
9
9
9

 

 

-
4
A
T
U
M
-
-
-
-
-
-
-
-
-
-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-
-
-
-
-
-
-
-
-
-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-
-
-
-
-
-
-
-
-
-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
35
4
A
T
U
M
-
-
10
-
-
4
-
10
3+5
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
8
4
A
T
U
M
-
-
1
-
-
4
-
2

 

 

4
A
T
U
M
-
-
-
-
-
-
-
-
-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-
-
-
-
-
-
-
-
-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-
-
-
-
-
-
-
-
-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
4
A
T
U
M
-
-
10
-
-
4
-
10
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
4
A
T
U
M
-
-
1
-
-
4
-
2

 

 

ATUM RE ATUM E ATUM RE ATUM

1234 5 1234

ATUM RE ATUM E ATUM RE ATUM

 

 

ESOTERIC = O SECRET I = ESOTERIC

ESOTERIC 6 SECRET 9 ESOTERIC

ESOTERIC = 9 SECRET 6 = ESOTERIC

ESOTERIC = I SECRET O = ESOTERIC

 

 

ATUM 1234 4321 MUTA

MUT 234 432 TUM

ATUM 1234 4321 MUTA

 

 

RE ATUM RE

 

 

Ancient Egyptian Religion: Old Kingdom

At the time of the Old Kingdom his cult and some of his characteristics was taken over by Re but he lived on in the combined forms of the names Re-Atum and ...

 

 

Egyptian deities

The ancient Egyptians adopted the solar disc standing for the suffix –ri as the name of the sun-god and called it Ra, as shown below. ...
www.astroset.com/bireysel_gelisim/ancient/a22.htm - Cached - Similar

 

 

Atum (Egyptian god) -- Britannica Online Encyclopedia

Atum's myth merged with that of the great sun god Re, giving rise to the deity Re-Atum. When distinguished from Re, Atum was the creators original form, ... www.britannica.com/EBchecked/topic/42347/Atum

Atum's myth merged with that of the great sun god Re, giving rise to the deity Re-Atum. When distinguished from Re, Atum was the creators original form, living inside Nun, the primordial waters of chaos. At creation he emerged to engender himself and the gods. He was identified with the setting sun and was shown as an aged figure who had to be regenerated during the night, to appear as Khepri at dawn and as Re at the sun’s zenith.

 

 

-
2
R
E
-
-
-
-
-
-
-
-
-
-
18
5
+
=
23
2+3
=
5
-
5
-
-
9
5
+
=
14
1+4
=
5
-
5
-
2
R
E
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
ONE
1
-
-
-
2
-
-
-
-
-
2
TWO
2
-
-
-
3
-
-
-
-
-
3
THREE
3
-
-
-
4
-
-
-
-
-
4
FOUR
4
-
-
-
5
-
-
5
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
31
2
R
E
-
-
14
-
-
2
-
14
3+1
-
9
-
-
-
1+4
-
-
-
-
1+4
4
2
R
E
-
-
5
-
-
2
-
5
-
-
9
5
-
-
-
-
-
-
-
-
4
2
R
E
-
-
5
-
-
2
-
5

 

 

-
2
R
E
-
-
-
-
-
-
-
-
-
-
18
5
+
=
23
2+3
=
5
-
5
-
-
9
5
+
=
14
1+4
=
5
-
5
-
2
R
E
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
-
-
-
2
-
-
-
-
-
2
-
-
-
-
-
3
-
-
-
-
-
3
-
-
-
-
-
4
-
-
-
-
-
4
-
-
-
-
-
5
-
-
5
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
8
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
31
2
R
E
-
-
14
-
-
2
-
14
3+1
-
9
-
-
-
1+4
-
-
-
-
1+4
4
2
R
E
-
-
5
-
-
2
-
5
-
-
9
5
-
-
-
-
-
-
-
-
4
2
R
E
-
-
5
-
-
2
-
5

 

 

2
R
E
-
-
-
-
-
-
-
-
-
18
5
+
=
23
2+3
=
5
-
5
-
9
5
+
=
14
1+4
=
5
-
5
2
R
E
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
9
-
-
-
9
occurs
x
1
=
9
2
R
E
-
-
14
-
-
2
-
14
-
9
-
-
-
1+4
-
-
-
-
1+4
2
R
E
-
-
5
-
-
2
-
5
-
9
5
-
-
-
-
-
-
-
-
2
R
E
-
-
5
-
-
2
-
5

 

 

I
=
9
-
-
IMHOTEP
-
-
-
-
-
-
=
2
I+M
22
13
4
-
-
-
=
5
H+O+T+E+P
64
28
1
I
=
9
-
7
IMHOTEP
86
41
5
-
-
-
=
-
-
8+6
4+1
-
I
=
9
-
7
IMHOTEP
14
5
5
-
-
-
-
-
-
1+4
-
-
I
=
9
-
7
IMHOTEP
5
5
5

 

 

I
=
9
-
-
IMHOTEP
-
-
-
-
-
-
=
2
I
9
9
9
-
-
-
=
5
M+H+O
36
18
9
-
-
-
=
5
T+E+P
41
14
5
I
=
9
-
7
IMHOTEP
86
41
23
-
-
-
=
-
-
8+6
4+1
2+3
I
=
9
-
7
IMHOTEP
14
5
5
-
-
-
-
-
-
1+4
-
-
I
=
9
-
7
IMHOTEP
5
5
5

 

 

I
=
9
-
-
IMHOTEP
-
-
-
-
-
-
=
2
I+M
22
13
4
-
-
-
=
5
H+O+T+E+P
64
28
1
I
=
9
-
7
IMHOTEP
86
41
5
-
-
-
=
-
-
8+6
4+1
-
I
=
9
-
7
IMHOTEP
14
5
5
-
-
-
-
-
-
1+4
-
-
I
=
9
-
7
IMHOTEP
5
5
5

 

 

www.startistics.com/ophiuchus/ophiuchus2.htm

History of Ophiuchus - Asklepius - Imhotep

"Aesclepius was, as I said earlier, a Greek whose attributes were nearly identical to those of Ancient Egyptian god of medicine I-Em-Hetep (whose name ... Aesclepius was, as I said earlier, a Greek deity whose attributeswere nearly identical to those of Ancient Egyptian god of medicine I-Em-Hetep (whose name translated means "He Who Cometh In Peace"). Now, in Egyptology, there are Gods (with a capital "G") and gods (with a small letter "g"), and I-Em-Hetep was a little bit of both, being both a contrived deity (man-made-god later) and a legitimate one, being the third member of the great triad of gods in Memphis, Egypt in or about 2900 B.C. where he probably lived as Imhotep, a mortal man at a later date (27th Century B.C.). He was in actual fact attached to the priesthood of RA, the Sun God, becoming the chief minister of the second king of the Egyptian Third Dynasty, Djoser (also spelled "Zoser"), for whom he bent his considerable skills as the innovative Master Architect who set the first profound standard of  excellence in step pyramid building.

He designed and built King Zoser's burial complex at Saqqara, Egypt between 2778-2723 B.C. The ZoserComplex stands today as a world monument to innovativearchitecture. Thus Imhotep's legend began to loom large locally.

Imhotep the man received notoriety for his literary abilities which has earned him recognitionin modern times as "the first man of science in recorded history." As tales and evidence of Imhotep's accomplishments in Egypt spread to Greece, his legend began to loom so large there that he was brought to the City of Memphis, and adopted in the name of love as a son of Apollo, Greek God of the Sun. The Greeks erected a temple named "To Asklepjion" (Imhotep's Greek god name) in his honor some2500 years after his death."

 

 

-
-
-
-
-
IMHOTEP
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
-
-
41
-
7
IMHOTEP
86
41
41
-
1
2
3
4
5
3
7
8
9
-
-
4+1
-
-
-
8+6
4+1
4+1
-
-
-
-
-
-
-
-
-
-
-
-
5
-
7
IMHOTEP
14
5
5
-
1
2
3
4
5
3
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
7
-IMHOTEP
5
5
5
-
1
2
3
4
5
3
7
8
9

 

 

-
-
-
-
-
IMHOTEP
-
-
-
-
2
4
5
6
7
8
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
9
M
=
4
-
1
M
13
4
4
-
-
4
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
8
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
-
-
T
=
2
-
1
T
20
2
2
-
2
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
7
-
-
-
-
41
-
7
IMHOTEP
86
41
41
-
2
4
5
3
7
8
9
-
-
4+1
-
-
-
8+6
4+1
4+1
-
-
-
-
-
-
-
-
-
-
5
-
7
IMHOTEP
14
5
5
-
2
4
5
3
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
5
-
7
-IMHOTEP
5
5
5
-
2
4
5
3
7
8
9

 

 

-
-
-
-
-
IMHOTEP
-
-
-
-
2
4
5
6
7
8
9
T
=
2
-
1
T
20
2
2
-
2
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
9
-
-
41
-
7
IMHOTEP
86
41
41
-
2
4
5
3
7
8
9
-
-
4+1
-
-
-
8+6
4+1
4+1
-
-
-
-
-
-
-
-
-
-
5
-
7
IMHOTEP
14
5
5
-
2
4
5
3
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
5
-
7
-IMHOTEP
5
5
5
-
2
4
5
3
7
8
9

 

 

-
I-EM-HETEP
-
-
-
2
I
9
9
9
2
E+M
18
9
9
5
H+E+T+E+P
54
28
9
7
I-EM-HETEP
81
45
18
-
-
8+1
4+5
1+8
7
I-EM-HETEP
9
9
9

 

 

-
-
-
-
-
AKHENATEN
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
34
-
9
AKHENATEN
79
34
34
-
2
4
3
4
20
6
7
8
9
-
-
3+4
-
-
-
7+9
3+4
3+4
-
-
-
-
-
2+0
-
-
-
-
-
-
7
-
9
AKHENATEN
16
7
7
-
2
4
3
4
2
6
7
8
9
-
-
-
-
-
-
1+6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
9
-AKHENATEN
7
7
7
-
2
4
3
4
2
6
7
8
9

 

 

-
-
-
-
-
AKHENATEN
-
-
-
-
1
2
5
8
A
=
1
-
1
A
1
1
1
-
1
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
8
E
=
5
-
1
E
5
5
5
-
-
-
5
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
-
-
34
-
9
AKHENATEN
79
34
34
-
2
4
20
8
-
-
3+4
-
-
-
7+9
3+4
3+4
-
-
-
1+6
-
-
-
7
-
9
AKHENATEN
16
7
7
-
2
4
7
8
-
-
-
-
-
-
1+6
-
-
-
-
-
-
-
-
-
7
-
9
-AKHENATEN
7
7
7
-
2
4
5
8

 

 

-
-
-
-
-
AKHENATEN
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
-
-
34
-
9
AKHENATEN
79
34
34
-
2
4
3
4
20
6
7
8
9
-
-
3+4
-
-
-
7+9
3+4
3+4
-
-
-
-
-
1+6
-
-
-
-
-
-
7
-
9
AKHENATEN
16
7
7
-
2
4
3
4
7
6
7
8
9
-
-
-
-
-
-
1+6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
9
-AKHENATEN
7
7
7
-
2
4
3
4
5
6
7
8
9

 

 

-
-
-
-
-
AKHENATEN
-
-
-
-
1
2
5
8
A
=
1
-
1
A
1
1
1
-
1
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
H
=
8
-
1
H
8
8
8
-
-
-
-
8
-
-
34
-
9
AKHENATEN
79
34
34
-
2
4
20
8
-
-
3+4
-
-
-
7+9
3+4
3+4
-
-
-
1+6
-
-
-
7
-
9
AKHENATEN
16
7
7
-
2
4
7
8
-
-
-
-
-
-
1+6
-
-
-
-
-
-
-
-
-
7
-
9
-AKHENATEN
7
7
7
-
2
4
5
8

 

 

-
-
-
-
-
NEFERTITI
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
52
-
9
NEFERTITI
106
52
52
-
2
4
3
4
15
6
7
8
27
-
-
5+2
-
-
-
1+0+6
5+2
5+2
-
-
-
-
-
1+5
-
-
-
2+7
-
-
7
-
9
NEFERTITI
7
7
7
-
2
4
3
4
6
6
7
8
9

 

 

-
-
-
-
-
NEFERTITI
-
-
-
-
2
5
6
N
=
5
-
1
N
14
5
5
-
-
5
-
-
E
=
5
-
1
E
5
5
5
-
-
5
-
-
F
=
6
-
1
F
6
6
6
-
-
-
6
-
E
=
5
-
1
E
5
5
5
-
-
5
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
2
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
2
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
9
-
-
52
-
9
NEFERTITI
106
52
52
-
4
15
6
27
-
-
5+2
-
-
-
1+0+6
5+2
5+2
-
-
1+5
-
2+7
-
-
7
-
9
NEFERTITI
7
7
7
-
4
6
6
9

 

 

-
-
-
-
-
NEFERTITI
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
52
-
9
NEFERTITI
106
52
52
-
2
4
3
4
15
6
7
8
27
-
-
5+2
-
-
-
1+0+6
5+2
5+2
-
-
-
-
-
1+5
-
-
-
2+7
-
-
7
-
9
NEFERTITI
7
7
7
-
2
4
3
4
6
6
7
8
9

 

 

-
-
-
-
-
NEFERTITI
-
-
-
-
2
5
6
T
=
2
-
1
T
20
2
2
-
2
-
-
-
T
=
2
-
1
T
20
2
2
-
2
-
-
-
N
=
5
-
1
N
14
5
5
-
-
5
-
-
E
=
5
-
1
E
5
5
5
-
-
5
-
-
E
=
5
-
1
E
5
5
5
-
-
5
-
-
F
=
6
-
1
F
6
6
6
-
-
-
6
-
R
=
9
-
1
R
18
9
9
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
9
-
-
52
-
9
NEFERTITI
106
52
52
-
4
15
6
27
-
-
5+2
-
-
-
1+0+6
5+2
5+2
-
-
1+5
-
2+7
-
-
7
-
9
NEFERTITI
7
7
7
-
4
6
6
9

 

 

A
=
1
-
9
AKHENATEN
79
34
7
N
=
5
-
9
NEFERTITI
106
52
7
T
=
2
-
11
TUTANKHAMUN-
144
36
9

 

 

The first and earliest appearance of the nameIsraelcomes from the Merneptah stela—an Egyptian victory stela commemorating the Syro-Palestinain conquest of pharaoh Merneptah in 1208 bc. In the stela Israel is listed among the peoples of the land of Canaan.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
5
FIRST
81
27
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
E
=
5
-
8
EARLIEST
89
35
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
10
APPEARANCE
80
44
8
-
-
-
-
-
-
-
-
8
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
4
NAME
33
15
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
6
ISRAEL
64
28
1
-
1
-
-
-
-
-
-
-
-
-
-
37
-
44
-
453
201
48
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
C
=
3
-
5
COMES
55
19
1
-
1
-
-
-
-
-
-
-
-
F
=
6
-
4
FROM
52
25
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
9
MERNEPTAH
100
46
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
5
STELA
57
12
3
-
-
-
3
-
-
-
-
-
-
-
-
16
-
26
-
297
117
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
53
-
70
First Total
750
318
66
-
4
2
6
4
5
24
7
16
9
-
-
5+3
-
7+0
Add to Reduce
7+5+0
1+8+9
4+5
-
-
-
-
-
-
2+4
-
1+6
-
-
-
8
-
7
Second Total
12
12
12
-
4
2
6
4
5
6
7
7
9
-
-
-
-
1+2
Reduce to Deduce
1+2
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
Essence of Number
3
3
3
-
4
2
6
4
5
6
7
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
3
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
6
-
-
-
F
=
6
-
5
FIRST
81
27
9
-
-
-
-
-
-
9
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
E
=
5
-
8
EARLIEST
89
35
8
-
-
-
-
-
8
-
A
=
1
-
10
APPEARANCE
80
44
8
-
-
-
-
-
8
-
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
6
-
-
-
N
=
5
-
4
NAME
33
15
6
-
-
-
6
-
-
-
I
=
9
-
6
ISRAEL
64
28
1
-
1
-
-
-
-
-
-
-
37
-
44
-
453
201
48
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
C
=
3
-
5
COMES
55
19
1
-
1
-
-
-
-
-
F
=
6
-
4
FROM
52
25
7
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
6
-
-
-
M
=
4
-
9
MERNEPTAH
100
46
1
-
1
-
-
-
-
-
S
=
1
-
5
STELA
57
12
3
-
-
3
-
-
-
-
-
-
16
-
26
-
297
117
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
53
-
70
First Total
750
318
66
-
4
6
24
7
16
9
-
-
5+3
-
7+0
Add to Reduce
7+5+0
1+8+9
4+5
-
-
-
2+4
-
1+6
-
-
-
8
-
7
Second Total
12
12
12
-
4
6
6
7
7
9
-
-
-
-
1+2
Reduce to Deduce
1+2
1+2
1+2
-
-
-
-
-
-
-
-
-
8
-
7
Essence of Number
3
3
3
-
4
6
6
7
7
9

 

 

3
BEL
19
10
1
-
MARDUK
-
-
-
2
M+A
14
5
5
1
R
18
9
9
3
D+U+K
36
9
9
6
MARDUK
68
23
23
-
-
6+8
2+3
2+3
6
MARDUK
14
5
5
5
-
1+4
-
-
6
MARDUK
5
5
5

 

 

Marduk - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/Marduk

Babylonian - Marduk was a late-generation god from ancient Mesopotamia and patron deity of the city of Babylon. When Babylon became the ...
?Mythology - ?The fifty names of Marduk - ?The Marduk Prophecy - ?See also

 

 

Bel (mythology) - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/Bel_(mythology)

Bel became especially used of the Babylonian god Marduk and when found in Assyrian and neo-Babylonian personal names or mentioned in inscriptions in a ...

Bel became especially used of the Babylonian god Marduk and when found in Assyrian and neo-Babylonian personal names or mentioned in inscriptions in a Mesopotamian context it can usually be taken as referring to Marduk and no other god. Similarly Belit without some disambiguation mostly refers to Bel Marduk's spouse Sarpanit. However Marduk's mother, the Sumerian goddess called Ninhursag, Damkina, Ninmah and other names in Sumerian, was often known as Belit-ili 'Lady of the Gods' in Akkadian.

Of course other gods called "Lord" could be and sometimes were identified totally or in part with Bel Marduk. The god Malak-bel of Palmyra is an example, though in the later period from which most of our information comes he seems to have become very much a sun god.

 

 

Marduk | Babylonian god | Britannica.com

www.britannica.com/topic/Marduk

19 Nov 2014 - Marduk, in Mesopotamian religion, the chief god of the city of Babylon and the national god of Babylonia; as such, he was eventually called simply Bel, or Lord. ... Marduk’s chief temples at Babylon were the Esagila and the Etemenanki, a ziggurat with a shrine of Marduk on the top.

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
BEL
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
MARDUK
-
-
-
-
1
2
3
4
5
6
7
8
9
B
=
2
-
1
B
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
6
MARDUK
-
-
-
-
1
4
6
8
5
6
7
8
9
-
-
-
-
3
BEL
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
33
-
9
First Total
87
33
33
-
1
4
6
8
5
3
7
8
9
-
-
3+3
-
-
Add to Reduce
8+7
6+6
6+6
-
-
-
-
-
-
-
-
-
-
-
-
6
-
9
Second Total
15
6
6
-
1
4
6
8
5
3
7
8
9
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
9
Essence of Number
6
6
6
-
1
4
6
8
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
9
-
-
-
-
-
BEL
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
MARDUK
-
-
-
-
1
2
3
4
5
9
B
=
2
-
1
B
20
2
2
-
-
2
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
9
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
-
6
MARDUK
-
-
-
-
1
4
6
8
5
9
-
-
-
-
3
BEL
-
-
-
-
-
-
-
-
-
-
-
-
33
-
9
First Total
87
33
33
-
1
4
6
8
5
9
-
-
3+3
-
-
Add to Reduce
8+7
6+6
6+6
-
-
-
-
-
-
-
-
-
6
-
9
Second Total
15
6
6
-
1
4
6
8
5
9
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
-
-
-
-
-
-
-
6
-
9
Essence of Number
6
6
6
-
1
4
6
8
5
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
BEL
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
MARDUK
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
1
B
20
2
2
-
-
2
-
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
6
MARDUK
-
-
-
-
1
4
6
8
5
6
7
8
9
-
-
-
-
3
BEL
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
33
-
9
First Total
87
33
33
-
1
4
6
8
5
3
7
8
9
-
-
3+3
-
-
Add to Reduce
8+7
6+6
6+6
-
-
-
-
-
-
-
-
-
-
-
-
6
-
9
Second Total
15
6
6
-
1
4
6
8
5
3
7
8
9
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
9
Essence of Number
6
6
6
-
1
4
6
8
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
9
-
-
-
-
-
BEL
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
MARDUK
-
-
-
-
1
2
3
4
5
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
B
=
2
-
1
B
20
2
2
-
-
2
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
9
-
-
-
-
6
MARDUK
-
-
-
-
1
4
6
8
5
9
-
-
-
-
3
BEL
-
-
-
-
-
-
-
-
-
-
-
-
33
-
9
First Total
87
33
33
-
1
4
6
8
5
9
-
-
3+3
-
-
Add to Reduce
8+7
6+6
6+6
-
-
-
-
-
-
-
-
-
6
-
9
Second Total
15
6
6
-
1
4
6
8
5
9
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
-
-
-
-
-
-
-
6
-
9
Essence of Number
6
6
6
-
1
4
6
8
5
9

 

 

Marduk - New World Encyclopedia

www.newworldencyclopedia.org/entry/Marduk

17 Sep 2014 - Marduk was thus the chief deity of the Babylonian Empire during the ... he was later given the title Bel, or "Lord," and was referred to simply as ...

Marduk (Sumerian for "solar calf"; Biblical Merodach) was the name of a late generation god from ancient Mesopotamia and patron deity of the city of Babylon. When Babylon became the political center of the Euphrates valley in the time of Hammurabi (eighteenth century B.C.E.), Marduk rose to the head of the Babylonian pantheon, a position he fully acquired by the second half of the second millennium B.C.E. He was also referred simply as “Bel," meaning “Lord,” or Bel-Marduk. Marduk was thus the chief deity of the Babylonian Empire during the period of Jewish exile in Babylon (sixth-fifth centuries B.C.E.). It was Marduk whom Cyrus the Great of Persia credited with the inspiration to allow the Jews to return to Jerusalem and rebuild the Temple of Yahweh. Marduk's association with the solar system's largest planet led indirectly to its being named Jupiter, after the Roman god who occupied Marduk's place in the pantheon.

History and Character

Marduk literally means "bull calf of the sun," although he was also a deity of fertility and storms. He was one of the sons of Ea (called Enki in the Sumerian myths), the creator/craftsman deity. Sometimes portrayed as double-headed, he was later given the title Bel, or "Lord," and was referred to simply as "Bel" in a manner similar to that of the Canaanite Baal (master/lord) and the Israelite Yahweh (the Lord). After the rise of the city of Babylon, Marduk became identified with the older chief Sumerian deity, Enlil, and has as many as fifty titles in all.
In the Babylonian creation myth Enûma Eliš, Marduk was appointed as the champion of the gods and slew the tyrannical primordial sea-serpent goddess Tiamat together with her own champion, Kingu. Marduk then claimed the Kingu's prized Tablets of Destiny and fashioned a new cosmic order that included humankind, out of Tiamat's body. In this story it is also Marduk who initiated the astrological system and created the signs of the Zodiac.
In Babylonian astrology, Marduk was connected to the planet known to us as Jupiter. As the ruler of the late Babylonian pantheon, he was later equated with the Greek god Zeus (the Greek equivalent for Jupiter). Thus, the planet was eventually given the name for Roman deity who occupied Marduk's position.
Marduk remained an important deity from at least the time of Hammurabi until well into the Persian period around 400 B.C.E.

Marduk in the Enuma Elish
When Babylon became the capital of Mesopotamia, the patron deity of Babylon was elevated to the level of supreme god. Some scholars believe the Enûma Eliš, probably written around the turn of the first millennium B.C.E., was created to explain how Marduk came to a position of supreme power. The story became an important part of Babylonian culture and was re-enacted annually in lavish new year festivities.
In Enûma Eliš, a civil war between the gods was growing to a climactic battle. Marduk, a very young god, answered the call and was promised the position of head god if he would destroy the tyranny of Tiamat and her lieutenant (who was also her son and consort), Kingu. After winning victory, Marduk initiated a new order in which humans were created to bear the burdens of life so the gods could be at leisure.

 

-
MARDUK
-
-
-
2
M+A
14
5
5
1
R
18
9
9
3
D+U+K
36
9
9
6
MARDUK
68
23
23
-
-
6+8
2+3
2+3
6
MARDUK
14
5
5
5
-
1+4
-
-
6
MARDUK
5
5
5

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
MARDUK
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
-
-
23
-
6
MARDUK
68
23
23
-
1
4
6
8
5
3
7
8
9
-
-
2+3
-
-
-
6+8
2+3
2+3
-
-
-
-
-
-
-
-
-
-
-
-
5
-
6
MARDUK
14
5
5
-
1
4
6
8
5
3
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
6
MARDUK
5
5
5
-
1
4
6
8
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
9
-
-
-
-
-
MARDUK
-
-
-
-
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
9
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
23
-
6
MARDUK
68
23
23
-
1
4
6
8
5
9
-
-
2+3
-
-
-
6+8
2+3
2+3
-
-
-
-
-
-
-
-
-
5
-
6
MARDUK
14
5
5
-
1
4
6
8
5
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
5
-
6
MARDUK
5
5
5
-
1
4
6
8
5
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
MARDUK
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
23
-
6
MARDUK
68
23
23
-
1
4
6
8
5
3
7
8
9
-
-
2+3
-
-
-
6+8
2+3
2+3
-
-
-
-
-
-
-
-
-
-
-
-
5
-
6
MARDUK
14
5
5
-
1
4
6
8
5
3
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
6
MARDUK
5
5
5
-
1
4
6
8
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
9
-
-
-
-
-
MARDUK
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
K
=
2
-
1
K
11
2
2
-
-
2
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
9
-
-
23
-
6
MARDUK
68
23
23
-
1
4
6
8
9
-
-
2+3
-
-
-
6+8
2+3
2+3
-
-
-
-
-
-
-
-
5
-
6
MARDUK
14
5
5
-
1
4
6
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
5
-
6
MARDUK
5
5
5
-
1
4
6
8
9

 

 

Enûma Eliš - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/Enûma_Eliš

The Enûma Eliš (Akkadian Cuneiform: ����������, also spelt "Enuma Elish"), is the Babylonian creation mythos (named after its opening words). It was recovered ...

Enûma Eliš

The Enûma Eliš, is the Babylonian creation mythos. It was recovered by Austen Henry Layard in 1849 in the ruined Library of Ashurbanipal at Nineveh, and published by George Smith in 1876. Wikipedia

 

 

-
HALLELUJAH
-
-
-
-
H+A
9
9
9
-
L+L+E+L+U+J
72
18
9
-
A+H
9
9
9
10
HALLELUJAH
90
36
27
1+0
-
9+0
3+6
2+7
1
HALLELUJAH
9
9
9

 

 

-
FOURTEEN
-
-
-
1
F
6
6
6
2
O+U
36
9
9
1
R
9
9
9
4
T+E+E+N
44
17
8
8
FOURTEEN
104
50
32
-
-
1+0+4
5+0
3+2
8
FOURTEEN
5
5
5

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
FOURTEEN
-
-
-
-
-
-
-
-
-
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
41
-
8
FOURTEEN
104
41
41
-
1
2
3
4
15
12
7
8
9
-
-
4+1
-
-
-
1+0+4
5+0
4+1
-
-
-
-
-
1+5
1+2
-
-
-
-
-
5
-
8
FOURTEEN
5
5
5
-
1
2
3
4
6
3
7
8
9

 

FOURTEEN 104 FOURTEEN

 

-
-
-
-
-
-
-
-
-
-
-
-
-
-
FOURTEEN
-
-
-
F
=
6
-
4
FOUR
60
24
6
T
=
2
-
4
TEEN
44
17
8
-
-
8
-
8
FOURTEEN
104
41
14
-
-
-
-
-
-
1+0+4
4+1
1+4
-
-
8
-
8
FOURTEEN
5
5
5

 

 

the Pan book of

ASTRONOMY
James Muirden 1964

Page 63 6 + 3 = 9

"We now know the solar system to consist of nine planets."

 

 

GODS
Of The New Millennium
Alan F. Alford

Page 161

Lessons in Astronomy

Few people realise that the 7 days of the week - Sunday to Saturday - were originally named after an astronomical source. Ironically, they derive from the time of Ptolemy in / Page 162 1 + 6 + 2 = 9 / the second century AD and his incorrect theory that the Sun, Moon and five planets revolved around the Earth. Thus were the days named after the Sun (Sunday), the Moon (Monday), Mars (mardi), Mercury (mercredi), Jupiter (jeudi), Venus (vendredi) and Saturn (Saturday / samedi)."

 

 

FINGERPRINTS OF THE GODS

Graham Hancock 1995

Chapter Nineteen

Page 153 1 + 5 + 3 = 9

"In Egypt's early dynastic period, more than 4500 years ago, an 'Ennead' of nine omnipotent deities was particularly adored by the priesthood at Heliopolis. 5 Likewise in central America both the Aztecs and the Mayas believed in an all-powerful system of nine deities."

 

 

E
=
5
-
-
ENNEAD
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
2
A+D
5
5
5
E
=
5
-
6
ENNEAD
43
25
25
-
-
-
-
-
-
4+3
2+5
2+5
E
=
5
-
6
ENNEAD
7
7
7

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ENNEAD
-
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
-
-
25
-
6
ENNEAD
43
25
25
-
1
2
3
4
20
6
7
8
9
-
-
2+5
-
-
-
4+3
2+5
2+5
-
-
-
-
-
2+0
-
-
-
-
-
-
7
-
6
ENNEAD
7
7
7
-
1
2
3
4
2
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
2
3
-
-
6
7
8
9
-
-
-
-
-
ENNEAD
-
-
-
-
-
2
3
-
-
6
7
8
9
E
=
5
-
1
E
5
5
5
-
-
2
3
-
5
6
7
8
9
N
=
5
-
1
N
14
5
5
-
-
2
3
-
5
6
7
8
9
N
=
5
-
1
N
14
5
5
-
-
2
3
-
5
6
7
8
9
E
=
5
-
1
E
5
5
5
-
-
2
3
-
5
6
7
8
9
A
=
1
-
1
A
1
1
1
-
1
2
3
-
-
6
7
8
9
D
=
4
-
1
D
4
4
4
-
-
2
3
4
-
6
7
8
9
-
-
25
-
6
ENNEAD
43
25
25
-
1
2
3
4
20
6
7
8
9
-
-
2+5
-
-
-
4+3
2+5
2+5
-
-
-
-
-
2+0
-
-
-
-
-
-
7
-
6
ENNEAD
7
7
7
-
1
2
3
4
2
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ENNEAD
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
N
=
5
-
1
N
14
5
5
-
-
-
5
N
=
5
-
1
N
14
5
5
-
-
-
5
E
=
5
-
1
E
5
5
5
-
-
-
5
A
=
1
-
1
A
1
1
1
-
1
-
-
D
=
4
-
1
D
4
4
4
-
-
4
-
-
-
25
-
6
ENNEAD
43
25
25
-
1
4
20
-
-
2+5
-
-
-
4+3
2+5
2+5
-
-
-
2+0
-
-
7
-
6
ENNEAD
7
7
7
-
1
4
2

 

 

3
THE
33
15
6
6
FAMILY
66
30
3
9
First Total
99
45
45
-
Add to Reduce
9+9
4+5
4+5
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

3
THE
-
-
-
6
FAMILY
-
-
-
-
T
20
2
2
-
H
8
8
8
-
E
5
5
5
-
THE
-
-
-
-
F
6
6
6
-
A
1
1
1
-
M
13
4
4
-
I
9
9
9
-
L
12
3
3
-
Y
25
7
7
-
FAMILY
-
-
-
9
Add to Reduce
99
45
45
-
Reduce to Deduce
9+9
4+5
4+5
9
Essence of Number
18
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
FAMILY
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
FAMILY
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
9
-
99
45
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
9+9
4+5
4+5
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
18
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
FAMILY
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
FAMILY
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
9
-
99
45
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
9+9
4+5
4+5
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
18
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
8
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
-
-
39
-
14
First Total
180
81
18
-
3
2
3
4
5
6
7
8
9
-
-
3+9
-
1+4
Add to Reduce
1+8+0
8+1
1+8
-
-
-
-
-
-
-
-
-
-
-
-
12
-
5
Second Total
9
9
9
-
3
2
3
4
5
6
7
8
9
-
-
1+2
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
5
Essence of Number
9
9
9
-
3
2
3
4
5
6
7
8
9

 

 

...

 

 

I
=
9
-
1
I
9
9
9
S
=
1
-
3
SPY
60
24
6
W
=
5
-
4
WITH
60
24
6
M
=
4
-
2
MY
38
11
2
L
=
3
-
6
LITTLE
78
24
6
I
=
9
-
1
I
9
9
9
S
=
1
-
9
SOMETHING
110
47
2
B
=
2
-
9
BEGINNING
81
54
9
W
=
5
-
4
WITH
60
24
6
G
=
7
-
3
GOD
26
17
8
-
-
46
4
42
First Total
531
243
63
-
-
4+6
-
4+2
Add to Reduce
5+3+1
2+4+3
6+3
-
-
10
-
6
Second Total
9
9
9
-
-
1+0
-
-
Reduce to Deduce
-
-
-
-
-
1
-
6
Essence of Number
9
9
9

 

 

DOES GOD PLAY DICE

THE NEW MATHEMATICS OF CHAOS

Ian Stewart 1989

Page 1

PROLOGUE

CLOCKWORK OR CHAOS?

"YOU BELIEVE IN A GOD WHO PLAYS DICE, AND I IN COMPLETE LAW AND ORDER."

Albert Einstein, Letter to Max Born

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
Y
=
7
-
3
YOU
61
16
7
-
-
-
-
-
-
-
7
-
-
B
=
2
-
7
BELIEVE
60
33
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
3
WHO
46
19
1
-
1
-
-
-
-
-
-
-
-
P
=
7
-
5
PLAYS
73
19
1
-
1
-
-
-
-
-
-
-
-
D
=
4
-
4
DICE
21
21
3
-
-
-
3
-
-
-
-
-
-
-
-
42
-
28
-
311
140
32
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
C
=
3
-
8
COMPLETE
89
35
8
-
-
-
-
-
-
-
-
8
-
L
=
3
-
3
LAW
36
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
O
=
6
-
5
ORDER
60
33
6
-
-
-
-
-
-
6
-
-
-
-
-
32
-
25
-
255
120
39
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
74
-
53
First Total
566
260
71
-
5
2
3
4
10
12
7
16
18
-
-
7+4
-
5+3
Add to Reduce
5+6+6
2+6+0
7+1
-
-
-
-
-
1+0
1+2
-
1+6
1+8
-
-
11
-
8
Second Total
17
8
8
-
5
2
3
4
1
3
7
7
9
-
-
1+1
-
-
Reduce to Deduce
1+7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
8
8
8
-
5
2
3
4
1
3
7
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
3
5
6
7
8
9
Y
=
7
-
3
YOU
61
16
7
-
-
-
-
-
7
-
-
B
=
2
-
7
BELIEVE
60
33
6
-
-
-
-
6
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
5
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
8
-
W
=
5
-
3
WHO
46
19
1
-
1
-
-
-
-
-
-
P
=
7
-
5
PLAYS
73
19
1
-
1
-
-
-
-
-
-
D
=
4
-
4
DICE
21
21
3
-
-
3
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
9
I
=
9
-
2
IN
23
14
5
-
-
-
5
-
-
-
-
C
=
3
-
8
COMPLETE
89
35
8
-
-
-
-
-
-
8
-
L
=
3
-
3
LAW
36
9
9
-
-
-
-
-
-
-
9
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
O
=
6
-
5
ORDER
60
33
6
-
-
-
-
6
-
-
-
-
-
74
-
53
First Total
566
260
71
-
5
3
10
12
7
16
18
-
-
7+4
-
5+3
Add to Reduce
5+6+6
2+6+0
7+1
-
-
-
1+0
1+2
-
1+6
1+8
-
-
11
-
8
Second Total
17
8
8
-
5
3
1
3
7
7
9
-
-
1+1
-
-
Reduce to Deduce
1+7
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
8
8
8
-
5
3
1
3
7
7
9

 

 

CHEIRO'S BOOK OF NUMBERS

Circa 1926

Page106

"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.

The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?

 

THE

QUESTION

HAS BEEN ASKED AGAIN AND AGAIN

IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE

THE TIDE AT THE

FLOOD

 

 

T
=
2
1
3
THE
33
15
6
Q
=
8
2
8
QUESTION
120
39
3
H
=
8
3
3
HAS
28
10
1
B
=
2
4
4
BEEN
26
17
8
A
=
1
5
3
ASKED
40
13
4
A
=
1
6
5
AGAIN
32
23
5
A
=
1
7
3
AND
19
10
1
A
=
1
8
5
AGAIN
32
23
5
I
=
9
9
2
IS
28
10
1
T
=
2
10
5
THERE
56
29
2
S
=
1
11
4
SOME
52
16
7
M
=
4
12
5
MEANS
52
16
7
O
=
6
13
2
OF
21
12
3
K
=
2
14
7
KNOWING
93
39
3
W
=
5
15
4
WHEN
50
23
5
T
=
2
16
3
THE
33
15
6
M
=
4
17
6
MOMENT
80
26
8
H
=
8
18
3
HAS
28
10
1
C
=
3
19
4
COME
36
18
9
T
=
2
20
2
TO
35
8
8
T
=
2
21
4
TAKE
37
10
1
T
=
2
22
3
THE
33
15
6
T
=
2
23
4
TIDE
38
20
2
A
=
1
24
2
AT
21
3
3
T
=
2
25
3
THE
33
15
6
F
=
6
26
5
FLOOD
52
25
7
B
-
87
Q
104
First Total
1108
460
118
-
-
8+7
-
1+0+4
Add to Reduce
1+1+0+8
4+6+0
1+1+8
-
-
15
-
5
Second Total
10
10
10
-
-
1+5
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
6
-
5
Essence of Number
1
1
1

 

 

GODS OF THE DAWN

THE MESSAGE OF THE PYRAMIDS and THE TRUE STARGATE MYSTERY

Peter Lemesurier

The Great Pyramid is a symbol of a now almost wholly alien mentality.

Arthur C, Clarke. Profiles of the Future

Page 121

THE PATHS OF HOPE

 

 

T
=
2
-
3
THE
33
15
6
P
=
7
-
5
PATHS
64
19
1
O
=
6
-
2
OF
21
12
3
H
=
8
-
4
HOPE
44
26
8
-
-
23
-
14
Add to Reduce
162
72
18
-
-
2+3
-
1+4
Reduce to Deduce
1+6+2
7+2
1+8
-
-
5
-
5
Essence of Number
9
9
9

 

 

YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO

 

8
QUO VADIS
108
36
9
6
VOX POP
108
36
9
11
SORROW
108
36
9
8
INSTINCT
108
36
9
11
DESCENDANTS
108
36
9
8
STARTING
108
36
9
9
NARRATIVE
108
36
9
9
SEQUENCES
108
36
9
9
COMPLETES
108
36
9
9
AMBIGUOUS
108
36
9
7
JOURNEY
108
36
9

 


 
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